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Battles With Bits of Rubber

This podcast is a joint venture with Stuart Bray and Todd Debreceni. It's all about the making of stuff for makeup effects and prosthetics. Todd is author of 'Special Makeup Effects For Stage And Screen', what many consider to be the modern makeup FX bible. Stuart Bray is a working makeup FX artist with many years experienc. Credits include 'Saving Private Ryan', 'Shaun of the Dead', 'Dr Who' and more recently 'Game of Thrones'. If you have any FX questions you would like to see made into a featured blog post, then get in touch: stuartandtodd@gmail.com
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Now displaying: December, 2019
Dec 18, 2019

In this episode, I got to chat with Matthew Mungle & visit his jail cell!

Matthew and his company, WM Creations have been responsible for makeup effects on scores of shows and racked up a lot of awards and nominations in the process - for a deep dive into that, check out Matthews IMDb profile.

The actual real-life holding cell in the studio, now decked out with suitably spooky decorations and effects! So much fun.

Todd and I also wax lyrical about the joys of epoxy and plaster, silicones we like for flat moulds and release agents for Pros-Aide transfers. We both like a firmer silicone as there is naturally some pressure that goes on when pressing a scraper over the back of the mould - so a soft silicone mould will compress too much and underfill if you are not careful!

One of the sculpting areas in Matthews studio.

Matthew talked at length about the process of taking a script, breaking it down and assigning it into a series of tasks - details which you don't often hear people talk about. He always wanted to do his own thing, and so he learned how to please a crew and producers before being a freelancer - getting the priorities right:

  • Learning how to delegate and let things go whilst still controlling quality.
  • How a job gets from words on a page to a series of jobs, and then pieces of rubber on a set.
  • How a TV show is like a train that leaves the station that doesn't stop until it gets to the end of the line.
  • Deciding what will be practical or visual fx.
  • Will an effect be suitable for the target audience to keep director, producer and network happy.
  • Discussing the effect with the appropriate crew like DOP and what to prep for.

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  • The video tutorial I mentioned on Freeform Sculpt and Freeform Air is here. (It was a squirrel - not a duck as I mentioned).
  • WM Creations have a range of FX materials such as Soft Sealer, Old Age Stipple and Alcohol Colours, and are available from good retailers such as BITY in the US and The Makeup Armoury in the UK.

There are endless rows of lifecasts all over the studio - talk about reference material!

Thanks for listening! If you enjoyed this podcast, please consider letting everyone know - tell a friend, share this episode on the socials and leave a comment or review on iTunes if you feel moved to do so!

You can email us directly at stuartandtodd@gmail.com

Till next time

-Stuart & Todd

Click to visit the Blog Post Episode to go with this episode.

Dec 12, 2019

In this episode, Neill Morrill joins me in the workshop as we hit up Todd in Colorado and chat about our collaborated efforts on the makeup we did for The Prosthetics Event 2019.

Neil is originally from the UK but moved to Toronto in the early 2000s and has worked on a number of high profile shows over the years such as 300, The Strain, Suicide Squad, Hereditary, It, Shazam! and the What We Do In The Shadows series.

It was an absolute joy working with Neil on our homage to Rick Bakers' 'Reverend Brown' makeup on Arsenio Hall from 1988 classic Coming To America.

Neil had the idea when chatting to our makeup sponsor Sian Richards when bouncing ideas around. The upcoming sequel recently finished shooting, and so Neil picked that as a good contender as a challenge for us to do - separated as we are by 3, 500 miles of Atlantic ocean.

British Rapper and DJ Normski agreed to be our victim, and so we set about hatching the plan. Obviously distance like that adds tricky elements to a physical process such as sculpting and moulding pieces, so we worked out a share of labour which was as follows.

Some video was shot and we will edit together the whole thing as a complete tutorial in more detail, so check the blog post for an abridged version of the first part of the process: http://www.learnmakeupeffects.com/48-neil-morrill/

Thanks for checking in!

-Stuart & Todd

Email the show direct at stuartandtodd@gmail.com

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